George Hadow - drums
Michiel Scheen - piano
Raoul van der Weide - contrabass, crackle box, sound objects
The Blue Lines Trio brings together three generations of improvising musicians. In an inimitable mix of throbbing swing, survey-ing impro, nomadic chords and sincere lyricism, the trio continues its restless quest for new possibilities of ensemble-playing. It is not a traditional pianotrio, but a trio, founded by Raoul van der Weide in 2012.
In these disturbing times, George, Michiel and Raoul also are submitted to unknown musical processes, however: with unbridled devotion, the group plunges in situations where direction and grip are well remembered, but cannot function as firm values and fundamentals anymore. Balancing on the cliffs of musical existence, the ensemble manages other essentials, such as shaky dance rhythms, sharp razored lumps of chopped harmony, spaghettiplates, sucked-in melodies, stadsklanken, caressing desire, flexible manifesto’s, secret transfusions and interim scores.
Since 2014, the Blue Lines Trio features master-saxophonist and key figure in the Chicago music scene,
Mars Williams on a project basis.
Mars Williams is an open-minded musician, composer and educator who commutes easily between free jazz, funk, hip-hop and rock, Mars has played and recorded with The Psychedelic Furs, Billy Idol, Massacre, Fred Frith, Bill Laswell, Ministry, Power Station, Die Warzau, The Waitresses, Kiki Dee, Pete Cosey, Billy Squier, DJ Logic, Wayne Kramer, John Scoffield, Charlie Hunter, Kurt Elling, Swollen Monkeys, Mike Clark, Jerry Garcia, Naked Raygun, Friendly Fires, The Untouchables, Blow Monkeys and virtually every leading figure of Chicago’s and New York City's "downtown" scene.
John Zorn credits Mars as "one of the true saxophone players--someone who takes pleasure in the sheer act of blowing the horn. This tremendous enthusiasm is an essential part of his sound, and it comes through each note every time he plays. Whatever the situation, Mars plays exciting music. In many ways he has succeeded in redefining what versatility means to the modern saxophone player."
In 2001 Mars received a Grammy Nomination for Best Contemporary Jazz Record with his group Liquid Soul.
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